Time for a different kind of bake altogether: a yeasted fruit cake, which is a lovely afternoon snack somewhere between a cake and a bread. This one is from Lithuania and comes to us all via food writer Barbara Rolek: the same recipe seems to surface in lots of different US websites. I first spotted it on The Spruce Eats; I’ve halved and metricised the quantities, as well as tweaking a few things.
The result is a bit like a giant, fruit studded cinnamon bun. It’s great for slicing and storing in the freezer for a ready supply of snacks. The recipe doesn’t need excessive amounts of work, but it needs a lot of elapsed time – there are multiple rises which can each take a couple of hours, depending on the temperature of your kitchen. Start early.
A couple of caveats, especially if you’re looking at the photos:
You can use pretty much any dried fruit you like. I couldn’t get glacé cherries, which looked nice in the original recipe.
The dough on mine came out very stiff indeed, so you may find you want to increase the amount of milk.
I used bread flour, which was probably a mistake. I’d stick with plain flour next time.
Also next time, I’d probably start by activating the yeast in some warm water (or milk) and sugar. The recipe doesn’t suggest this, but not doing it meant that my dough took an eternity to rise.
180 ml milk
550g plain flour
1.5 large eggs
180g mixed fruit
30 ml rum
In your stand mixer, combine 300g of the flour, 60g of the sugar, the yeast and milk and mix until reasonably smooth. Cover and leave to rest for an hour.
Melt the butter. Add it to the mix with the eggs, the salt and the rest of the sugar and the flour. With the dough hook, knead for 5-7 minutes.
Add the fruit, raisins, walnuts and rum. Mix thoroughly.
Leave to rise until doubled in size. Expect this to take an hour or two.
Melt the butter.
Mix with the sugar and cinnamon. Leave to cool somewhat.
Putting it together
Grease a loaf tin.
Flour a surface and roll out your dough into a rectangle. The width of your rectangle should be somewhat under the length of your loaf tin; the length around 1½ times the width.
Spread your rectangle of dough with the filling. Don’t go too close to the edges – you won’t want filling leaking out.
Roll up the dough into a thick sausage, ensuring the filling is sealed inside. Transfer the sausage into your loaf tin.
Leave to rise until doubled in size. Again, this could easily take 1-2 hours. If this hasn’t happened after a couple of hours, give up and bake it anyway.
Preheat oven to 200℃ fan
Bake for 10 minutes, then reduce temperature to 175℃, then bake for around another 40 minutes.
Leave to cool on a rack. If you want, sprinkle with icing sugar (I didn’t).
Bastillas (or Pastillas) are Moroccan pies made with ultra-thin pastry. They’re unquestionably one of the country’s most famous dishes: you will find dozens of different types, with different recipes for each type. But be careful: there are some disappointingly bland recipes around. On the other hand, a really good, flavour-packed Bastilla can be dazzling, a huge crowd-pleaser. It’s complex, but it’s worth it.
I’ve chosen one of the most popular types: the chicken, egg and almond bastilla. I based my version on a combination of The Spruce Eats, My Moroccan Food and French-language blog Choumicha.ma and the results were outstanding. But you have lots of choices, which I’ll try to explain.
There are some constants: you’re going to make a chicken and onion stew with herbs (most probably parsley and coriander) and spices, which will definitely include ground ginger and turmeric. You’re going to scramble some eggs. You’re going to chop up some almonds. And you’re going to bake all of these in a shell of layered thin pastry. But beyond those basics, you’ve got several options.
The first crucial one is the size: you can make a single large bastilla or multiple individually size ones. I went for something in between: the quantities below make enough for six people (assuming that you’ve got some other side dishes of some sort), and I chose to do two bastillas for the two of us to have on separate days (with leftovers).
The next question is the type of pastry. If you’re going for the full-on Moroccan experience, you’ll want to freshly make your own pastry sheets: Choumicha has a really nice video showing you how it’s done. The Spruce gives the pastry a name, “warqa”, and shows a similar recipe. The warqa process is seriously weird, but works fine once you’ve got used to it. Since I wasn’t feeling super-confident, I made enough pastry for one of my two bastillas, and used supermarket-bought filo pastry for the other. The warqa version was a clear winner: it’s a time consuming faff, but the result is considerably superior and I won’t be going back to filo any time soon.
You have options on the spicing: saffron, cinnamon, ras el hanout and orange blossom water are just some of them. Some Moroccan recipes use smen, a fermented butter not dissimilar to the Indian ghee, either in place of the oil or in addition to it.
I went for chicken thigh fillets because there are better quality ones available than whole thighs at the supermarket I use. Cooking your chicken on the bone will get you a richer sauce.
Next, there’s the question of how to layer your fillings. I went for a three layer approach: chicken mixed with onion sauce, scrambled eggs, ground almonds. There are other possibilities (keep the chicken and the sauce separate and/or blend your eggs into the sauce when you scramble them).
Finally, there’s the question of icing sugar. I really don’t like things sweet so I ignored the two instructions to add icing sugar: one when grinding the almonds and one when the whole bastilla is finished.
That’s more than enough about the possible variations: let’s get down to the recipe I made.
The chicken filling
If you can, make your filling the day before. Like many stewed dishes, it tastes more intense when the flavours have had lots of time to infuse. Quantities of herbs are very approximate: I’ve never yet found a dish that gets spoiled by adding too many fresh herbs.
Olive oil for frying
800g chicken thigh fillets (or around 8 large chicken thighs)
1 tsp turmeric
1 tsp ground ginger
1 cinnamon stick
2 tsp ras el hanout
A small pinch saffron
Salt to taste
Black pepper to taste
20g flat leaf parsley
20g coriander leaves
½ tablespoon honey
Divide the chicken thigh fillets into two at the point where they’re nearly split anyway.
Chop the onions reasonably finely (you don’t need to go overboard).
Heat oil in a pan, add the chicken, onions, spices, salt and pepper.
Fry on medium heat, uncovered, until the chicken is browned on all sides and the onions are transparent (around 10-15 minutes)
Add the parsley and coriander and a small amount of water (perhaps 50-100ml), cover your pan and simmer until the chicken is cooked through.
Remove the chicken and set aside. Discard the cinnamon stick. Add honey to the mixture, uncover your pan and cook until almost all the water has evaporated and you have a thick paste. You don’t want a watery sauce turning your pastry soggy.
Meanwhile, if your chicken was on the bone, remove the bones and skin. Chop the chicken into small pieces, perhaps 5-10mm across.
Recombine the chicken and the sauce and set aside.
The almond filling
200g blanched almonds
Olive oil for drizzling
Preheat oven to 160℃ fan
Spread almonds out on a baking tray, drizzle with olive oil
Bake in the oven for until golden: around 15-20 minutes
Remove and leave to cool
Blitz the almonds in a food processor until you have a coarse grain – you don’t want a fine powder or the oil will start coming out of the nuts.
The warqa pastry sheets
The amount here should be about right for a single large bastilla. If you’re making more smaller bastillas and/or you’re a bit heavy handed with your pancake creation, you might need to increase the recipe, up to double.
240 ml water
Olive oil for brushing
Whisk together flour, water and salt until you have a smooth, runny batter. In the Choumicha video, this is done in a blender, but a bowl and a balloon whisk work fine.
Have a nylon or silicone pastry brush ready.
Have a small dish of olive oil ready, with a different pastry brush (of any type you like)
Prepare a double boiler by bringing water to the boil in a saucepan which should be just under the diameter of a non-stick frying pan that you place above it.
On a work surface as near as you can get to the pan, spread a sheet of plastic or cling film somewhat wider than your pan. Have another one of the same size ready.
Once the pan is warm, quickly paint an ultra-thin layer of batter across all of the bottom of the pan. The correct thickness is less than you think – you’ll hardly be able to see the batter because it’s just about transparent.
After about 2-3 minutes, the pastry sheet will be cooked: you’ll know because the edges will start to curl away from the rounded sides of the pan. Now comes the scary part: pick the sheet up carefully by one of the edges and peel it off the pan.
Transfer the pancake to your plastic sheet, brush olive oil over it, and put the second plastic sheet over it to stop it drying out. You’ll lift that second sheet off shortly before the next pancake is cooked.
Repeat until you’ve run out of batter. If all goes well, you’ll hardly need to clean your frying pan, but if you’ve had a failure, just wash up the frying pan, put it back in double boiler position and wait until it’s properly warmed up again before continuing.
The egg filling
5 large eggs
10g butter (quantity very approximate)
Salt and pepper to taste
Whisk the eggs with the salt and pepper
Melt butter in a pan
Add the eggs and stir over medium heat until you have a fairly dry scrambled egg mixture (like the chicken filling, you don’t want it making your pastry soggy).
Putting it all together
Ideally, you will have a round dish with shallow, slightly rounded sides to help form you bastilla into the traditional round shape. If, like me, you don’t, you’ll just have to go freehand on a greased baking tray.
Olive oil, melted ghee or smen for brushing
Preheat oven to 200℃ fan
If you’re going to make more than one bastilla, divide your fillings up into equal portions and repeat the instructions below for each.
Place a few overlapping layers of pastry in a pattern big enough that once you’ve made your mound of fillings, you will be able to cover them in at least two or three sheets.
Make a flattened mound of chicken filling in the centre.
Spread the top with the scrambled egg.
Spread the top with ground almonds.
Fold a layer of pastry over the top. Brush it with oil (or ghee or smen).
Repeat until all the layers have been folder over and you have a completed round pie, brushed across its top.
Bake until golden, around 20 minutes. Take out and cool.
Moroccans sprinkle the whole thing with icing sugar and cinnamon before serving. I didn’t.
I have no idea why a Swiss Roll is called a Swiss Roll. I’ve travelled to Switzerland a lot and I don’t remember seeing one there. If Wikipedia is to believed, it doesn’t even come from Switzerland in the first place. But apparently, if you happen to be in Chile, at 5pm, it’s time for a coffee and a slice of Brazo da Reina – a rolled sponge cake filled with dulce de leche (caramelised condensed milk). The name in Spanish means “the Queen’s Arm”, which sounds to British ears more like a pub sign, which just goes to show that there’s no accounting for language. It’s not really clear where that name comes from either, and the same cake has other names in different bits of Latin America: Brazo de gitano (gypsy’s arm) or Pionono. Other countries also use different fillings.
The Chilean recipe I started from is notable for having a lot of eggs and no shortening whatsoever, which makes for an incredibly light, airy sponge cake. There are other recipes that use a small amount of oil.
The recipe I used tells you to fold the egg yolks into the beaten whites, then add the flour to the whole lot. That was a little too far outside my comfort zone, so I stuck to a more conventional scheme of mixing egg yolks, sugar and flour before folding, which worked very well.
The tricky part of making a roll cake – especially one as light an airy as this – is to roll it up without tearing. I wasn’t 100% successful, but it was good enough.
The last time I made dulce de leche, for Argentinian alfajores, I baked the condensed milk in an oven tray, which worked OK but was fiddly. For this recipe, I found the ultimate cheat method in the Brazo da Reina recipe in a blog called Curious Cuisiniere – just boil the condensed milk in its can. It’s close to zero effort and worked perfectly. Their advice for rolling up the cake seemed sensible too: this is the first time I’ve tried a roll cake, so I can’t speak for how well other methods work.
You’ll want a Swiss roll tin, around 30cm x 20cm.
The dulce de leche filling
400g can of condensed milk
Put the tin of condensed milk (unopened, but you may want to take the paper off) into a saucepan, pour water to cover it (with some spare, since it will evaporate), and bring it to the boil.
Leave it to simmer for 2-3 hours (two will get you a light caramelisation, 3 will get you a more golden-brown and stronger tasting result.
Remove the tin from the pan and leave it to cool.
Butter for greasing tin
10g baking powder
180g caster sugar
icing sugar for dusting
Preheat oven to 175℃
Grease your tin with butter, then line it with baking paper, then grease the baking paper generously.
Separate the eggs into two mixing bowls.
Sift the flour and baking powder together.
Beat the egg yolks and add half the caster sugar. Then add the flour and baking powder and mix until well blended. The mixture will be quite stiff.
In the other bowl, beat the egg whites until soft peaks form, add the remaining caster sugar and whisk at high speed until you have a stiff meringue
Add around a quarter of the meringue to your flour mixture and mix in until smooth. Do the same with another quarter, now taking care to keep as much air in the meringue as you can. Now fold in the remaining meringue, working really hard to keep the air in.
Spread the mixture evenly into your tin. Ideally, use an offset spatula to get it really level (I don’t have one, so I just did my best.
Bake for around 10 minutes. You do NOT want to overbake the sponge or you stand no chance of rolling it intact.
Leave to cool for a minute or two, then run a palette knife round the edge to make sure the cake is not sticking to the edge. Sprinkle some icing sugar over the cake.
Spread a tea towel over the cake, and then an inverted cooling rack. Turn the whole assembly upside down. As gently as you can, remove your cake tin. The cake should sit on its tea towel in one piece.
Very gently, pull off the baking paper almost all the way, then put it back in place.
Now roll the cake up as tightly as you can, and leave to cool for an hour or so.
Unroll the cake (this is the part where it’s hard to stop it tearing), spread the filling over it, then roll it up again.
(Optional – I didn’t) dust the cake with more icing sugar.
The styles and sizes vary, but most food cultures have a filled parcel that you can eat on the street: China has bao dumplings, Japan has onigiri, most Latin countries have empañadas, and so on. The Maltese version is the pastizz, which is somewhere in size between a samosa and a Cornish pasty. Its case is flaky pastry which is made by creating a spiral cross-section of dough and shortening (the same trick, roughly, as used in Portuguese pastéis de nata); the filling can be pretty much anything but is often either based on ricotta cheese or peas.
Starting from a Maltese Youtube video and halving the quantities, I chose a lightly curried pea-and-tomato filling, which is pretty straightforward and comes out rather like one of my favourite Indian dishes, mutter paneer (without the paneer, but I can’t see a good reason not to include that if you want). If you are looking carefully at the photos, you’ll see that I ran out of peas on one of my runs and substituted some mixed veg.
As with all versions of puff pastry, getting the layers right is tricky, and I got it spectacularly wrong on my first attempt, not least because the ratio of flour to water in the recipe is way off what it needs to be. This isn’t the most time consuming puff pastry recipe you’ll ever see: there’s a lot of elapsed time for resting, but it’s not too bad on actual work. But it’s fiddly to get the layers thin enough and roll them up into a good shape without breaking them. If you’re like me, you’ll need practise.
Anyway, the results are well worth it: they make a really good mid-morning or mid-afternoon snack, tasty, filling and nutritious.
Although I’m giving the filling recipe first, you’ll almost certainly want to start the dough first and make the filling during the extensive resting times.
You could add any of garlic, ginger or chilies to this if you want a spicier version. I like adding curry leaves, too, which isn’t exactly Maltese but adds aroma.
Sunflower or other neutral oil for frying
2g (1tsp) cumin seeds
7g curry powder (or your own favourite mix of ground coriander, cumin, turmeric, chili powder)
70g double concentrated tomato paste (my favourite brand is Cirio)
350g frozen peas
Take the peas out of the freezer. You can do this in advance, but you don’t have to.
Chop the onion finely
Heat cumin seeds in oil in a wok or medium size pan
Once the cumin seeds are spitting, add the onion and stir fry for a couple of minutes
Add the curry powder and continue frying until the onions are soft
Add the tomato paste and 100ml or so of water, stir until blended.
Add the peas, bring back to the boil, turn the heat down and simmer until the peas are cooked and the sauce is very thick.
Turn the heat off and leave until needed.
420g flour +40 second time, + 15g sunflower oil
125g shortening – Maltese recipes specify a vegetable shortening like Trex or Crisco, but you can almost certainly substitute ghee or melted butter if you prefer the taste (or use a mixture)
A little olive oil
Mix flour and salt in the bowl of your stand mixer; add water and knead on low to medium speed with the dough hook until you have a smooth but fairly stiff dough. You need enough water that you don’t have lots of uncombined flour, but not so much as to make the mixture sticky.
Form your dough into a thick cylinder, spread with shortening, wrap with cling film and leave to rest for around 30 minutes.
Roll the cylinder into a reasonably long and thin rectangle, spread with more shortening on both sides, place cling film over the top and rest again for another 30 minutes.
Now roll the dough as thin as you can possibly make it – still in a long, rectangle. Spread with shortening over the top.
Starting from one end, roll your dough into a long cigar shape, pulling the pastry as you go and making sure you get all the air out. You will need to go from side to side and back again, pulling and rolling. Leave to rest for another hour or two. Towards the end of this, preheat your oven to 200℃ fan.
Pull your cylinder so that it’s now very long. Cut the resulting cylinder into around twelve pieces.
Have a small bowl of olive oil ready. Dip both thumbs in oil, then pick up a piece of dough, dig both thumbs into one end and shape and stretch it into a cup – this may or may not remind you of primary school pottery classes.
Flip the cup inside out (so that the bit with the olive oil is on the outside, spoon a dollop of filling into it, and pinch the outside together to seal. When it’s done, put it on a baking tray, lying it roughly flat (don’t try to leave the seam pointing upwards). Repeat for the other eleven pastizzi.
Bake for around 30 minutes. Take out of the oven when golden (and, we hope, flaky).
While leaving to cool, attempt to sing Maltese folksongs. Or not.
The weather in London today has been unremittingly grey with continuous drizzle, reminding me of a trip to Savonlinna in Finland, which is also the country which provided us with the biggest northern hemisphere rainstorm of our lives. So here, in homage to Finland and in honour of the poet Johan Ludvig Runeberg’s birthday next week, are Runebergintorttu or Runeberg Cakes.
To be fair on my many Finnish friends and on Savonlinna, which is a truly fabulous festival set in an impossible atmospheric mediaeval castle, it’s drop-dead gorgeous when the sun comes out (which it did the following day). And the Finns have a lot going for them, not least the best rainproof gear I’ve ever bought and also the best loudspeakers on the planet (with all those forests, the Finns really know their wood) and a surprisingly dry sense of humour (opera lovers need to check out Covid fan tutte).
One note on the photos: I don’t have the tall cylindrical moulds that you need to make Runebergintorttu properly, so mine are baked in a standard muffin tin. But they taste the same… If that level of authenticity bothers you, this is the kind of thing that should work.
I started with a recipe from scandikitchen.co.uk and only changed a few things: I couldn’t get hold of Leksands crispbread, but I did find some dark Ryvita which I believe to be pretty similar. I used blackberry jam rather than raspberry. Vanilla essence is easier to find than vanilla sugar in these parts. I didn’t have any amaretto either, so I grated the zest of the orange that made the orange juice and added that. Personally, I think the combination of orange, cardamom and rye turned out to be an absolute winner.
125g butter, plus some for greasing
50g ground almonds
100g plain flour
6g (1 tsp) baking powder
50g crispbread (Leksands, Ryvita or whatever), or just use breadcrumbs
80g caster sugar
1 whole egg plus 1 egg yolk
50ml orange juice, plus zest of the orange
Vanilla essence to taste
80g icing sugar
Raspberry jam (or, in my case, blackberry jelly) to finish
Preheat oven to 180℃ fan.
If your butter isn’t soft, cut it into small cubes and leave to soften.
Grease your muffin tin (or other cake mould) with some more butter.
Mix your flour, baking powder, ground almonds and salt.
Grind your crispbread into breadcrumbs
Cream the butter and sugar together
Add the eggs and mix
Add the flour mixture and combine
Add the breadcrumbs and cream and combine
Add the orange juice, zest and vanilla essence and mix thoroughly. You should now have a fairly thick, sticky batter.
Divide the batter into the moulds in your cake tin.
Bake for around 15 minutes.
Leave to cool in the tin for a short while, then turn them out.
You will serve the cakes upside down. Since they have probably domed somewhat, cut them reasonably flat so that they stand upright.
Mix the icing sugar with about 10ml warm water until you have a thick paste. Transfer this to a piping bag.
Pipe a circle of icing around the top of each cake. Put a dollop of jam into the middle of the circle. I found this easier than the original recipe, which suggests doing the jam first (as per the photos).
Leave the icing to dry (or don’t bother) and enjoy!
Continuing with the Austro-Hungarian Empire’s coffee-and-cake tradition, here’s a cake from Croatia that deserves to be close to the top of the best-seller list, particularly with a coffee after a brisk morning winter walk (I speak from immediate experience).
In point of fact, Mađarica (or Madjarica, if you prefer to avoid the “d with stroke”) is the Croatian word for “Hungarian girl”, and the cake bears a distinct resemblance to the Hungarian Dobos torte, created in 1885 for the National General Exhibition of Budapest. Who knows (or, for that matter, who cares) which came first?
Croatians seem to bake this cake for the thousands: all the recipes I came across were for seriously large quantities. I went for this recipe from Tamara Novacoviç and halved it, which still made for a generous cake.
Mađarica is one of those multi-layer cakes where you’re trying to get the layers as thin as you possibly can. Croatian recipes tend to assume that you’re using a standard cake tin and baking the layers one at a time. Since you’re trying to make a rectangular cake, I figure it’s easier to use large flat tins (Swiss roll tins or similar) and then cut the layers to size after baking. Obviously, how you tackle this is going to depend on what tins you have available.
25g plain flour
25g cocoa powder
vanilla extract or paste to taste
25g dark chocolate
½ tbsp rum
Mix the flour and cocoa powder in a bowl and set aside. Have a balloon whisk ready.
Put the milk, sugar and vanilla into a saucepan and bring to the boil. When just boiling, take it off the heat, pour about a quarter of it into the bowl with the flour and cocoa powder, and whisk until thoroughly dissolved.
Pour the mixture back into the saucepan and return the saucepan to the heat. Add the chocolate, reduce the heat and keep whisking until the mixture thickens.
Take the mixture off the heat, give it a minute or so to cool slightly, then add the butter and whisk until thoroughly melted.
Stir in the rum.
Cover (to avoid too much skin forming – you can’t avoid having a bit) and leave to cool while you make the rest of the cake.
300g plain flour
½ tsp (2g) baking powder
1 egg white
90g sour cream
90 g sugar
90g butter, at room temperature
I’m going to confess at this point (in case it isn’t obvious from the photos) that I wimped out: I had two 33x22cm Swiss roll tins ready but I didn’t dare roll the dough thin enough to use more than one of them. I should have had the courage to use both – my layers are definitely twice the thickness they should be – so that’s what I recommend that you do.
Preheat oven to 180℃.
Prepare two 33cm x 22cm Swiss roll tins (or whatever other baking trays you have) by greasing them and lining them with baking paper.
Sift the flour and baking powder into a bowl.
Cut the butter into cubes and put it with the sugar, sour cream and egg white into the bowl of your mixer; beat until smooth.
Add the flour mixture and knead to a smooth dough. Add a bit more sour cream or water if your dough is too crumbly.
Now the tricky part: divide the dough into two, and roll each half thinly enough to spread out evenly over its baking tin. It’s probably easiest to do this by rolling the dough between two sheets of baking paper. Transfer your rolled dough to the tin.
Bake for around 8-10 minutes.
Leave to cool on a wire rack.
Assembly and glaze
50g dark chocolate
20g sunflower oil (or other neutral oil)
Cut each cake/biscuit layer into three, using a ruler or measuring tape to make pieces that are as close to identical in size as you possibly can.
Place the first layer on your serving plate.
Spread around one fifth of the filling evenly over the layer, then add the next layer. Repeat this four more times to build up your cake.
Melt the chocolate and butter together (30s in a microwave should do this fine, if you can’t be bothered to wash up a double boiler).
Add the oil and mix thoroughly.
Pour the glaze over the top of the cake, making sure that you cover the whole cake with an even layer of glaze. Some of the glaze will have dripped over the sides: if you want, even this off with a palette knife.
Refrigerate for several hours (or overnight) until the glaze hardens.
Let’s start 2021 and the second half of this trip around the world with an easy, cheerful bake from the Czech Republic. Like every country in the former Austro-Hungarian empire, Czech has a strong coffee-and-cake culture, and the bake that you see everywhere is a light cake made with fresh fruit called Bublanina – a close relative of the French clafoutis.
The idea of a Bublanina is that the cake batter bubbles up around the fresh fruit. The trick is to use enough fruit that’s fresh enough that the cake is moist and fruity, but not so much that it’s damp and soggy. There’s no prescription about what fruit to use: it’s really a case of whatever’s in season. In the middle of a London winter, I went for blueberries (which are presumably in season somewhere across the globe), but strawberries, cherries, peaches and plums are all possible.
You have various options on the batter. At one of the end, you can just shove everything into a bowl and mix it; at the other, you can separate the eggs and pack air into the whites as a raising agent, soufflé-style. You can make the batter more traditional by using some semolina flour, can emulate the clafoutis by adding ground almonds, you can use various flavourings (vanilla, orange or lemon zest, Grand Marnier, etc). I’ve kept it simple and gone with a recipe from czechcookbook.com by Kristýna Koutná, a native of Brno, one of my favourite places in Czech; I’ve added lemon zest and changed the amount of flour slightly (my batter was definitely coming out runnier than Kristýna’s video).
A couple of notes on the photos: (1) I used 250g of blueberries, which was all I had. 400-500g would have been better. (2) The ingredients shot is missing the vanilla and lemon.
Butter for greasing cake tin
320g plain flour (plus 20g or so for sprinkling)
200g sugar (plus 30g or so for sprinkling)
8g baking powder
Grated zest of 1 lemon
240 ml milk
40 ml oil
Vanilla extract to taste
400g fresh fruit in season
Icing sugar for dusting
Preheat oven to 180℃ fan
Grease a cake tin or baking dish (I used a rectangular Pyrex dish or around 30cm x 20cm, but you can use any shape you like). Dust it with flour and shake out the excess.
If you’re using fruit like peaches or large strawberries that need to be cut up, do so now: make sure the fruit isn’t too wet.
In the bowl of a stand mixer, mix flour, sugar and baking powder and blend.
Add lemon zest, eggs, milk and oil
With the standard beater, mix until smooth – do not overbeat.
Pour the batter into your cake tin or dish
Lay out the fruit on the batter. If it sinks, it doesn’t matter.
Sprinkle a bit of sugar over the top.
Bake for around 40 minutes until golden brown on top
Leave to cool
Dust with icing sugar before serving
You can eat bublanina warm or cool it to room temperature. If you find it a bit dry on its own (particularly if, like me, you were a bit short of fruit), add a fruit coulis.
It being that time of year, I was casting around for a Christmas cake that was suitably exotic for this blog, but still had that fruit-laden richness for cold winter evenings. To my surprise, the one that leapt out at me was a recipe from Sri Lanka, which makes something that’s recognisably in the English Christmas Cake tradition, but softer and moister. The ever-reliable sbs.com.au provided the recipe.
What distinguishes the Sri Lankan version is a hefty dose of chow-chow preserve (other Sri Lankan touches are the addition of rosewater and cardamom). Chow-chow is a fruit with many names: choko, chouchou, mirliton, chayote; it’s roughly the shape and consistency of a quince, with a bright green skin reminiscent of a Granny Smith apple. I couldn’t find the preserve locally, but the fruit was readily available in Indian or Caribbean stores, of which we have plenty in London, so I made my own preserve, which wasn’t difficult. (Admission: I did leave mine on the stove for way too long, so it crystallised on setting: this didn’t seem to damage the cake overly.)
Traditionally, you would cover the cake with marzipan and hard icing. That’s too much sweetness for me, so I just made the fruit cake. I also left mine relatively soft and gooey, which is really delicious, at the expense of being tricky to cut. You may want to leave yours in a bit longer than I did.
The chow-chow preserve
Starting with this recipe, this made enough for two cakes. You may want to halve the amounts.
1.1 kg chayote (3 fruits)
1.5 kg sugar
380 ml water
¾ tsp salt
Peel and chop the chayote.
Put everything into a preserving pan and cook until the fruit is soft and the syrup is thick. You probably want a sugar temperature of around 105℃ – I went well over that.
Cool, and put into sterilised jars until needed.
150g unsalted cashews
150g unsalted almonds
200g glacé cherries
500g chow-chow preserve
150g glacé pineapple
1 tsp ground cinnamon
1 tsp ground cardamom
½ tsp ground cloves
1 tsp rosewater (see Note)
Grated zest of 1 orange
Grated zest of 1 lemon
60 ml brandy
250g unsalted butter
385g caster sugar
180 g semolina flour
Preheat oven to 140℃ fan
Line a cake tin with baking paper (these quantities work perfectly for a fairly tall 20cm x 20cm tin)
Chop the almonds, toast them in a dry pan, set aside to cool
Chop the cashews, toast them in a dry pan, set aside to cool
Halve the cherries (if they weren’t already bought that way
Chop the pineapple and chow-chow preserve so that the pieces are smaller than half a glacé cherry. How small you want to go is up to you.
Put all fruits, zest, spices, rosewater and brandy into a large bowl and mix them up.
When the nuts are cool, add them also and mix
Chop the butter into small pieces and cream it with the sugar in the bowl of a stand mixer
One a time, separate the eggs, adding the yolk to the butter-sugar mix and incorporating it, and reserving the white in another bowl.
Combine the egg yolk/sugar/butter mix with the fruit-nut mix, add the semolina flour and stir until evenly spread.
Beat the egg whites until soft but not hard, fold into the mix.
Spoon the mixture into your lined tin, pressing it to the edges to smooth out any ruffles in the baking paper.
Cut another square of paper and place it on the top: this will stop the cake drying out
Bake for around 3 hours, or more if you prefer a less gooey cake
For Americans, the phrase “Apple Pie and Motherhood” (or possibly “Apple Pie and Mom”) means “a thing in life that everyone agrees to be unarguably good”. But even Americans would accept that Apple Pie comes from the Netherlands. In fact, there are two variants of Dutch Apple Pie: appeltaart, the lattice-topped version that I’ve made here, and appelkruimeltaart, a crumble-topped version whose American equivalent is Pennsylvania Dutch Apple Pie.
Most Dutch recipes (I’ve started with this one) go for a shortcrust pastry with a fairly high butter to flour ratio (this recipe uses 2:3, but I’ve seen higher), sweetened with brown sugar. As often, I’ve cut down the amount of sugar – the original recipe goes for 50% more than I’ve used. The Dutch use self-raising flour, which moves the end result somewhere in the direction of a cake compared to a typical French apple tart or English pie. A neat trick is to cover your base with a layer of breadcrumbs: this soaks up the juices in the early part of the bake and helps to prevent the dreaded soggy bottom.
The filling is usually fairly heavily spiced and often has other fruit or nuts in addition to the apple. I’ve chosen cinnamon and raisins, but there are plenty of alternatives: cloves, ginger, walnuts or almonds to name just a few. At least once recipe recommends soaking your raisins in rum.
If you’re not in the Netherlands with access to Goudreinet (Golden Rennet) or Belle de Boskoop apples, you’ll have to improvise. You’re going to want an apple which is crisp enough not to disintegrate while baking, and which has plenty of flavour and a level of tartness. Lockdown London isn’t offering my usual levels of choice, so I went for 50/50 Granny Smith and Cox’s Orange Pippin, which worked pretty well. The Granny Smiths are there for tartness, but I’d worry that using them exclusively would be both too sour and too watery.
300 g self raising flour, plus flour for rolling
100 g soft brown sugar
a pinch of salt
200 g cold butter
1 egg, beaten
Combine the flour, sugar and salt.
Cut the butter into small cubes and mix into the flour mixture with your fingertips until you’ve got rid of the lumps of unblended butter.
Keep aside a small amount of egg for brushing, pour the rest into your mixture and blend until you have a smooth dough which no longer sticks to the side of your bowl.
Wrap in cling film and refrigerate for 20-30 minutes.
1 kg apples (see above)
Juice of 1 lemon, or more to taste
6g ground cinnamon
50 g sugar
50 g raisins
Peel, core and chop the apples into quarters, then chop each quarter into 4-5 slices. As you go, put the pieces into a bowl with the lemon juice and mix them around: the lemon will stop the apples going brown as you work.
Add the raisins.
Combine the sugar and cinnamon, add them to the apples and raisins and mix everything until even.
Breadcrumbs (probably around 30g – sorry, I didn’t measure)
I used the fan setting on my oven and I wish I hadn’t – baking for longer without the fan would have resulted in a somewhat softer filling. If you like the apples crunchier, go with the fan option.
Preheat oven to 180℃ conventional.
Grease a 22-23cm springform tin with butter.
Divide the dough into 3 portions, roughly 40%, 40%, 20%.
Roll out the first portion into a circle and use this to line the base of your tin. Trim off any excess and keep it.
Roll the next portion into a long rectangle (you may need more than one) and use it to line the sides of your tin. Again, trim off and keep any excess.
Add all the excess dough to your third piece, roll it out and cut into strips, around 1cm wide.
Spread the breadcrumbs evenly to cover the base of your tart.
Fill the tart with the apple mixture, trying to get rid of the air gaps so the apples are packed well down (but don’t press too hard). The filling will probably form a slight dome over the top: that’s fine.
With your strips of dough, form a lattice over the tart. The Dutch tend to do a kind of overlapping W-shaped pattern – my attempt at this was comically clumsy, as you’ll see from the photos, but this didn’t really matter. You can also do a standard criss-cross version (and if you’re feeling particularly competent, weave it).
Brush the top of the pastry lattice with the remaining egg.
Bake until the pastry is a deep golden brown, which should take around 50 minutes (conventional) or 40 minutes (fan) – depending, as ever, on your oven.
Leave to cool. After 10 minutes or so, extract the pie from the tin.
Enjoy. It’s the perfect treat for a damp, autumnal day.
The Germans are fantastic bakers. I could have chosen from dozens of breads and pastries: pumpernickel, pretzels, seed-filled Vollkornbrot, melt-in-mouth Franzbrötchen and so many more. But I’m a child of the 1960s and I couldn’t resist the German cake of my childhood: the over-the-top architectural construction of chocolate cake, cherries and whipped cream that is the Schwarzwälder Kirschtorte – the Black Forest gâteau.
You need to be careful on this one: most English and American recipes are very sweet. The German recipes have better flavour balance, but do tend to be unbelievably heavy on the cream – I’ve seen recipes specifying over 1 kg of cream for a cake not much bigger than the one I’ve made here. The nice people at Gästehaus Reger, in the heart of the Black Forest, have posted an English language version of their recipe, so I’ve used that as my starting point (dramatically reducing the cream content). By the way, according to Wikipedia, Black Forest gâteau doesn’t actually come from the Black Forest (it was created by a confectioner near Bonn), but they seem to have embraced it with enthusiasm.
German recipes specify jars of sour cherries. Being unable to get these, I substituted frozen black cherries, adding lemon juice to give a sour edge. It’s not perfect, but it worked. I was also short of kirsch – the cherry-based firewater that is the key ingredient of authentic Schwarzwälder Kirschtorte, so I had to substitute some blackcurrant schnapps, left over from a trip to Sweden, which gives a similar flavour. I suggest that you don’t go for the cherry brandy that features in many recipes, because it has a very different flavour, stronger and sweeter.
The next problem to solve is your choice of cake tin. Ideally, you want to follow the Germans and use a single tin, slicing the cake into three layers after baking, because you don’t want lots of crusts. However, the cake extremely light and airy due to its mixture of both sabayon and meringue: my 23cm springform tin is about 6cm high and the cake overflowed it by some margin. This required me to trim some rather misshapen excess: use a deep tin if you have one.
This is a fairly complex and time consuming recipe, with two different baked layers and three fillings/drizzles. You will also use and wash up more bowls than you can possibly imagine. But none of this is unduly difficult.
You need to make the base, the cake and the cherry filling far enough in advance that they’re completely cool. The rest is best done at the last minute.
The cherry filling
If you can get jars of sour cherries, use 500g of those and 250g of the juice from the jar in place of the frozen cherries and lemon juice listed below. Also omit the blitzing of cherries and add 30g sugar.
750g frozen pitted cherries
Juice of 1 lemon
Defrost the cherries. (That’s why I’ve shown this step first – you may want to make your cake layers while this is happening).
Reserve 12 of the best looking cherries – you will use them later for decoration.
Blitz half of the remaining cherries to a coarse puree.
Put the puree and any juice into a saucepan with the cornflour, stir thoroughly and warm gently until thickened.
Add the remaining cherries and bring to the boil.
Remove from heat and refrigerate.
The shortcrust base
This is optional (several recipes don’t include one) but it gives a nice contrast of texture and makes the cake easier to handle.
120g plain flour
3g (around ½ tsp) baking powder
vanilla essence to taste (around 1 tsp)
1 small egg
60g butter, softened
Preheat oven to 180℃ fan
Mix all ingredients together. Cover and refrigerate for around 30 minutes.
Roll out on a baking sheet to a size slightly larger than your cake tin.
Bake for around 10 minutes
Leave to cool
The chocolate cake
150g plain flour
50g cocoa powder
10g baking powder – around 2 tsp
200g caster sugar
Vanilla essence to taste – around 1 tsp
Grease your cake tin
Sift the flour, cornflour, cocoa powder and baking powder into a bowl and combine evenly
Separate the eggs
Add around 50 ml of warm water to the egg yolks and beat at your mixer’s highest speed for around three minutes, until you have a creamy sabayon-like texture. Add 130g of the sugar and beat for another three minutes.
Beat the egg whites until soft peaks form, then add the remaining sugar, then beat until you have a stiff meringue.
Combine the sabayon, the meringue and the flour mix and blend thoroughly. Mix it as a gently as you can (avoiding losing the air that you’ve just beaten into the eggs) but enough to be sure that you haven’t left any clumps of unblended flour.
Pour the cake into your tin, smooth it off so you have a flat top, then bake for around 40 minutes. The cake is ready when a skewer comes out clean.
Remove from the springform tin and leave to cool.
The whipped cream filling
600 g double cream
60 g sugar
Vanilla essence to taste (around 1 tsp)
60 ml kirsch
Whip the cream for a minute or so.
Add sugar, vanilla essence and kirsch.
Whip the mixture until stiff.
20g dark chocolate for grating (the amount is very approximate)
Add 75 ml kirsch to the cherry filling and mix thoroughly
Add 75 ml kirsch to 75 ml water and 20g caster sugar and mix thoroughly
If the cake is heavily domed (mine wasn’t), trim off the domed crust.
Turn the cake over so the crust side is down.
If your cake overspilled the edges of your tin, trim it so that you have a cylinder.
Slice the chocolate cake into three slices horizontally. It’s helpful to mark the slices with a toothpick in each one, immediately above each other: this will help you re-assemble the cake into exactly the right place.
Move the slices next to each other and drizzle them with the kirsch/water/sugar mix.
Trim the shortcrust base to a circle the same size as your cake.
Spread some cherry filling over the base – remove any whole cherries so that you’re just spreading the jam.
Place a layer of cake onto the base (start with the one that was the topmost layer while baking).
Spread the rest of the cherry filling evenly over the cake. Make sure you get to the edges.
Reserve around 80g of the whipped cream for decoration: you’ll want to put it into a piping bag with a star nozzle.
Spread ⅓ of the remaining whipped cream over the cherry filling. Make sure you get to the edges.
Place the remaining two layers of cake on top, using the toothpicks to orient you as to exactly where to put them. After each layer, spread another third of the whipped cream: the top layer should be very even. (At this point, the Germans would also spread cream over the sides to form a perfect white cylinder. But that’s too much cream for me.)
Grate the chocolate into shavings with a grater of vegetable peeler, and sprinkle the shavings over the cake. If you’ve put cream over the sides, also dust the sides with grated chocolate.
Pipe twelve small doughnuts of cream in a circle close to the edge of the cake. Into each doughnut, place a cherry.
You’re done! It was complicated and it was a long haul, but you’ve created a real spectacular, which is light as a feather and tastes fantastic.